Phone Booth is a thriller film that doesn't actually need countless car chase scenes and long hours to keep its plot going. After all, what the movie has to show for you to get hooked is simply an anonymous phone booth call to an arrogant New York city publicist. Throughout the film's duration, Collin Farrell will make your heart race while he's actually stuck in a life-and-death situation against a psychotic sniper's threats.
Film noir is described as Hollywood crime dramas with a focus on cynical attitudes, dark wit, and sexual motivations. Similarly, neo-noir runs on the same style, albeit with a more updated style, visual element, and themes, among others.
Did you know that Quentin Tarantino, a filmmaker famous for creating films with neo-noir features, has a knack for connecting all his films, both intricately and in passing? A good example of these movies existing within one universe come from two characters in different Tarantino movies, particularly Mr. Blonde and Vincent Vega. Mr. Blonde, whose real name was Victor Vega and was the antagonist for Reservoir Dogs, was revealed to be Vincent's brother, who in turn was the protagonist for Pulp Fiction.
Back then, modern film noir movies, sometimes called neo-noirs, have become popular amongst present-day fans and have gathered a cult following. Contrary to popular belief, noir and neo-noir films don't have to exclusively center around a city detective against the underworld of organized crime. Oftentimes, neo-noir films focus on an interplay of lights and shadows, the blurred lines of what is morally right or wrong, a motivation for revenge, and contains an overall dark and cynical aesthetic.
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